Writers are seemingly defined by their love of storytelling. We make homes for ourselves in the worlds we create. Our characters become some of our dearest friends, keeping us company over many cups of coffee through just as many late nights. But even writers with the deepest of loves for storytelling can fall out of love with a story. It can happen for a number of reasons. The idea may no longer excite us as it once did or we may feel no longer feel as connected to the chara

There is something about autumn that feels perfect for writers. It's the time of year we retrieve the cozy sweaters stashed away for the summer, fill our mugs with our hot beverages of choice, and enjoy the crispness of the season while embracing the sentimental feeling of change. And, of course, the fun yet formidable NaNoWriMo . National Novel Writing Month, aka NaNoWriMo, takes place throughout the month of November and challenges participants to write a 50,000-word novel

In the seventh grade, I got a blue hoodie for Christmas. Money was tight that year and my mom found it on the clearance rack at Fashion Bug. It was plain, a cotton cable-knit zip-up, seemingly nothing special—and believe me when I say I lived in it. It was practically a second skin, which astounds Mom to this day. I referred to it as a wearable security blanket because I loved the texture of the yarn in a way I couldn't exactly explain (and it was almost the same shade of blu

Simply put, readers need to know what's going on in a story. The author is not only responsible for inviting them on a journey in the fictional world they've created, but also ensuring that readers have all the information needed to follow along. Relaying this information can take several forms. It's common to see it done through extensive worldbuilding, especially in fantasy and historical works in which the setting differs vastly from that of the author and intended audienc

It is a truth universally acknowledged that first impressions are everything. And, boy, can they be daunting! There are arguably a handful of first impressions your book will make on readers. The blurb on the back, the art on the cover, maybe reviews or word-of-mouth recommendations—and, of course, the first chapter of your story. Nailing the first chapter is crucial. It's here that readers will begin to orient themselves within the world you've invited them into and get to k

Writers have an abundance of methods at their disposal when it comes to giving their readers hints. These may be thematic undertones or used to foreshadow events to come, or they can just be little Easter eggs awaiting keen eyes. By playing with an element's already-established meaning or assigning a new one, these subtle cues can enhance and deepen the work. A common example and one of my favorites to incorporate is color. Although it sounds like a simple detail and one of t